usuallyhats: The cast of Critical Role sitting round a table playing Dungeons and Dragons (team tardis season 31 style)
[personal profile] usuallyhats
Short version: in the end, not terribly impressed.

To be fair, the iPlayer kept buffering, which didn't really enhance the watching experience, but I thought it was pretty great... up until "Amelia Williams". NOPE. THAT IS NOT HER NAME. And once I was angry about that, I got annoyed that the reasons for not being able to go back for Rory made no sense: they might not have been able to go back to New York, but surely they could've gone to, say, Philadelphia and pinched another car. And the gravestone's easily dealt with: there's not necessarily anyone actually IN that grave. Bah. Those two things basically killed the episode for me: I was just starting to cry when that stupid "Amelia Williams" appeared and I started swearing instead. So we now have a complete set of New Who companion departures I've disliked. And it's all the same problem - refusing to allow the Doctor and his companions to just go their separate ways, without having to have them be separated! forever! Why can't we have companions who go "that was fun, but we've had enough now"? And "we jumped off a building together and are now slightly traumatised" would be an EXCELLENT reason to want to call it a day.

(I was really hoping that they weren't going to go the "Amy and Rory are sent back in time" route, also, because what about Brian, and Amy's parents, and their awesome life we saw last week?)

THERE WAS SO MUCH GOOD STUFF IN THAT EPISODE WHY DID THEY HAVE TO FUMBLE IT AT THE LAST MINUTE ARGH.

This entry was originally posted at http://shinyjenni.dreamwidth.org/190623.html.
(deleted comment)

Date: 30 Sep 2012 05:49 (UTC)
From: [identity profile] airie-fairy.livejournal.com
What makes me angry is the people who are responding in annoyance at the people DARING to be annoyed at "Williams," because for a man to take his wife's last name is a sacrifice, but a woman taking her husband's is just natural, you know.

Date: 2 Oct 2012 22:14 (UTC)
From: [identity profile] airie-fairy.livejournal.com
I was even okay with it in The God Complex, because it was part of a bunch of stuff the Doctor said to upset her, and from her face when he said it she looked upset. But here it was this positive, accepted thing, and I'm sitting there going GRAVE. So I lost her on multiple levels.

Date: 30 Sep 2012 07:30 (UTC)
ext_3965: (11 Doctors Say Hello)
From: [identity profile] persiflage-1.livejournal.com
What irks me is that Moffat's tried to make the Angels ever more menacing and scary (as if the idea of them zapping you back into the past and stealing your life energy and making you live to death WASN'T menacing enough!) - and as a consequence they've got less and less menacing and more and more inconsistent and Swiss-cheesey...

Date: 1 Oct 2012 06:17 (UTC)
ext_3965: (9 Eyerolling)
From: [identity profile] persiflage-1.livejournal.com
Exactly! I mean when is the SoL ever going to be NOT being looked at - especially once it *starts* moving?!

Date: 3 Oct 2012 23:47 (UTC)
From: [identity profile] wils.livejournal.com
I was struck by the driving-from-Philadelphia theory too, but then again wouldn't the Doctor's reading of the final page of River's novel (Amy's afterword, it went something along the lines of 'we will never meet again') have created a fixed point which cannot be changed, and hence no more possibility of rescues / meetups ...? Same thing with the Doctor seeing their gravestone - makes their deaths a fixed point.

My thoughts :)

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usuallyhats: The cast of Critical Role sitting round a table playing Dungeons and Dragons (Default)
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