usuallyhats: Janeway sitting at a table, smiling (janeway)
The Crown of Dalemark - Diana Wynne Jones
Speculative Whiteness: Science Fiction and the Alt-Right - Jordan S. Carroll
City of Bones - Martha Wells
Elephants Can Remember - Agatha Christie
The Just City - Jo Walton
A Suitable Boy - Vikram Seth
Lolly Willowes - Sylvia Townsend Warner
Critical Role: The Mighty Nein Origins: Caduceus Clay
The Labyrinth's Archivist - Day Al-Mohamed

The Scholar and the Last Faerie Door - HG Parry
Star Trek: Lower Decks - Warp Your Own Way
Kindling - Traci Chee
Track Changes: Selected Reviews - Abigail Nussbaum
King of Dead Things - Nevin Holness
The Nightward - RSA Garcia
The Orb of Cairado - Katherine Addison
The Sea Eternal - Emery Robin
Water Logic - Laurie J Marks

City of Bones (three stars), Elephants Can Remember (three stars), The Scholar and the Last Faerie Door (four stars), King of Dead Things (four stars), The Orb of Cairado (four stars)City of Bones
This definitely reads like an early work - there's some stuff around sex and relationships in particular that is not amazing - but it's still a solidly enjoyable read. It's clear that Wells hasn't yet reached the heights that she's going to, but there's still some great characterisation and worldbuilding and some really solid prose. I liked it a lot and will be picking up the other early works that Tor are reissuing.

(content notes: some non-explicit sex scenes that aren't definitively assault but also aren't definitively not)

Elephants Can Remember
The premise of this one was great: older lady helps Poirot solve a fifteen year old case by nosing around talking to people, on the grounds that eventually the patchwork of what they remember will add up to something Significant. The execution was a bit lacklustre, though; I'd love to read something with a similar premise but more spark. (Also extremely wild to me to read a Poirot set in the seventies; while I've definitely read at least one more from that decade, as well as one from the sixties, it was when I was young enough not to register when they were set. (I had a big Poirot phase as a child, for reasons I do not entirely understand.))

The Scholar and the Last Faerie Door
I'm not hugely familiar with dark academia as a genre, but I know enough to know this was using a lot of familiar tropes. Which is absolutely fine because it really nailed the execution: it's a really satisfying read because of how well constructed it is. All the character work is great, it knows what it wants to do with its themes, the worldbuilding hangs together nicely. I enjoyed it a whole lot.

King of Dead Things
YA urban fantasy about four black teenagers doing magic in London, and if any of that sounds appealing to you, you should get it because it's great. I feel like there were a few first-book type wobbles here and there, but overall I liked it a whole lot and am excited to read more in the series.

(content note: the parent of one character has memory loss, analogous to but not Alzheimer's)

The Orb of Cairado
Novella set just after The Goblin Emperor; the protagonist is the best friend of the Wisdom of Choharo's pilot. This definitely feels at times like a novel with the complications taken out, rather than a true novella, and there were definitely things I wanted more development of, but Addison's a good enough writer that it's still a fun read, and I absolutely loved the ending.
usuallyhats: River Song in her cell, looking up from her diary (river)
Winter's Dawn - Arden Powell
The Masquerades of Spring - Ben Aaronovitch
Dishoom: From Bombay with Love - Kavi Thakrar, Naved Nasirm Shamil Thakrar
This Sceptred Isle: 55BC-1901 - Christopher Lee
The Valley of Fear - Arthur Conan Doyle
Foundryside - Robert Jackson Bennett
Very Good, Jeeves - PG Wodehouse
The Raven in the Foregate - Ellis Peters
The Legacy of Arniston House - TL Huchu
Rebel Blade - Davinia Evans
You Are Here: Nine More Stories - Iona Datt Sharma
The Word for World is Forest - Ursula K Le Guin
North Continent Ribbon - Ursula Whitcher

Metal From Heaven - august clarke
Menewood - Nicola Griffith
Hammajang Luck - Makana Yamamoto
Sheine Lende - Darcie Little Badger
The Last Hour Between Worlds - Melissa Caruso
The Fox Wife - Yangsze Choo
The Mountain Crown - Karin Lowachee
Breath, Warmth and Dream - Zig Zag Claybourne
Ballet Shoes - Noel Streatfeild
A Sweet Sting of Salt - Rose Sutherland
Thunder City - Philip Reeve
When the Dust Settles: Searching for Hope After Disaster - Lucy Easthope
Critical Role: The Mighty Nein Origins: Beauregard Lionett
Super-Infinite: The Transformations of John Donne - Katherine Rundell
The Mischievous Letters of the Marquise de Q - Felicia Davin
Charmed Life - Diana Wynne Jones
Eight Days of Luke - Diana Wynne Jones
Cart and Cwidder - Diana Wynne Jones
Drowned Ammet - Diana Wynne Jones
The Spellcoats - Diana Wynne Jones
The Lives of Christopher Chant - Diana Wynne Jones

So at the end of January I a) got really into a Diana Wynne Jones podcast (Eight Days of Diana Wynne Jones! It's great!) and then b) got covid, hence all the DWJ rereads. I hadn't read most of them in over twenty years and they really hold up - some aspects of them are definitely Of Their Time (casual fatphobia and casual racism of the sort that was very standard for white authors of children's books in the UK in the 70s; also what if more than one girl per book got to be both sympathetic and active, what then etc), but underneath and around all that they really are fantastic.

You Are Here (five stars), North Continent Ribbon (four stars), Menewood (five stars), Sheine Lende (four stars), The Last Hour Between Worlds (four stars)You Are Here
Really excellent collection. I'd read most of the stories before, but the two new ones (one a novella!) were a real treat, and reading them together pulled out the thematic throughline between them in a way that only enhanced my enjoyment.

As the title and the introduction make clear, the theme is "You Are Here": this is the situation you are in; it may not be what you wanted or planned for, but it's where you are: what are you going to do now? It's full of people being forced to take an honest look at where they are and deal with it as it is, and how that process clarifies something about who they are. But it never runs the risk of becoming samey, because every situation and person is so specific, so grounded in their realities, and all the worlds are so varied - Cornish smugglers, a spaceship with a Romance Problem, a near future care home, a fantasy world with dragons (who WILL break your heart, but also put it back together again).

The people and worlds in this collection feel so real, partly because of all the excellent detail that makes the worlds of the stories feel vivid and lived in, and partly because they're never only one thing: a lot of the situations are sad and hard, but also people are kind and funny and complicated, and it's wonderful. I cannot recommend this collection enough tbh.

Disclaimer: I received an ARC in return for an honest review, also the author is a friend.

North Continent Ribbon
Another excellent collection! This one is a set of linked stories set in the same world: each stands alone, but together they build up a picture of the world and its concerns through the stories of a variety of very different people in very different corners of society. I enjoyed it very much.

Menewood
Sequel to Hild, which I also loved (lo these many years ago). This volume finds our heroine struggling desperately to build something and hold onto the things and people she loves in the midst of political turmoil and danger from all sides. It's ultimately hopeful despite some of the really terrible things that happen, and is really richly and vividly imagined with some excellent minor characters. I loved it.

Content notes: sexual assault and rape (I think all off page?), violence,
spoilerinfant loss


Sheine Lende
Prequel to Elatsoe, in which Ellie's grandmother Shane has to track down her mother and a local boy who have gone missing, maybe together, maybe separately. It felt very much like an old school children's/young adult book in a way that I really enjoyed (partly due to the 70s setting).

The Last Hour Between Worlds
Kembral Thorne is out on her own for the first time since her daughter was born and she just wants to have a nice time at a fancy party, but unfortunately: time loops, monsters, the machinations of eldritch beings etc. Also her ex-friend/ex-maybe love interest is there and she may be one of the only people she can trust. The beginning of this book is a little on the slow side, but once it's up and rolling the momentum just builds and builds. I particularly enjoyed how well constructed it was: every loop adds something and the twists and revelations are extremely well paced without seeming contrived. I really just had a great time with it and I'm glad there are going to be more (which makes sense given the strong urban fantasy but secondary world vibes).


Didn't finish:
Blood of the Old Kings - Sung-Il Kim trans. Anton Hur, The Chatelaine - Kate Heartfield
Blood of the Old Kings - Sung-Il Kim trans. Anton Hur
This was a perfectly good fantasy novel, but I have so many things I'm really excited to read that perfectly good wasn't quite enough to keep me reading.

The Chatelaine - Kate Heartfield
This was v good, but the revenants were more zombie adjacent than I could handle, alas!
usuallyhats: Janeway sitting at a table, smiling (janeway)
The Inheritance - Robin Hobb | Megan Lindholm
Treason's Shore - Sherwood Smith
Blue Skinned Gods - SJ Sindu
Cosmoknights, Vol 1
The Day the World Came to Town: 9/11 in Gander, Newfoundland - Jim DeFede
Cosmoknights, Vol 2
River Kings: A New History of the Vikings from Scandinavia to the Silk Road - Cat Jarman
The Sky on Fire - Jenn Lyons
The Silver Pigs - Lindsey Davis
On Vicious Worlds - Bethany Jacobs

The Once and Future Sex: Going Medieval on Women's Roles in Society - Eleanor Janega
The Bright Sword - Lev Grossman
Off-Time Jive - AZ Louise
Between Dragons and their Wrath - Devin Madson
Young Queens: Three Renaissance Women and the Price of Power - Leah Redmond Chang
The Sunforge - Sascha Stronach
Blood Sweat Glitter - Iona Datt Sharma
The Lotus Empire - Tasha Suri
Right Ho, Jeeves! - PG Wodehouse
Swordcrossed - Freya Marske
The Stardust Grail - Yume Kitasei

The Day the World Came to Town: 9/11 in Gander, Newfoundland (three and a half stars), Cosmoknights Vols 1 and 2 (five stars), The Bright Sword (four stars), Blood Sweat Glitter (five stars)The Day the World Came to Town: 9/11 in Gander, Newfoundland
I read this off the back of seeing Come From Away, which I absolutely loved. It's not the best prose ever - the author doesn't quite pull off what he's trying for with the shifting tenses, and the "mosaic of smaller stories" thing suffers slightly because the musical did it better* - but I really appreciated its dedication to telling as many stories as possible, as well as all the extra detail. The book did a particularly good job at conveying how difficult a job the air traffic control had to wrangle all these displaced planes, as well as bringing home the fact that many of the people on the diverted planes, including in some cases the crew, would have had no idea what was happening or why. (I did have a slight feeling about how many people were getting their news from the BBC, ngl.)

*of course it did, it's a musical, it has all those extra tools for that sort of thing AND it can take a few gentle liberties with the material

Cosmoknights Vols 1 and 2
This comic has everything. Space! Gorgeous art! So many women! Rescuing princesses from arranged marriages through the medium of mecha space jousts! What If Liberation Is More Complicated Than Just Rescuing Princesses From Arranged Marriages Through The Medium Of Mecha Space Jousts! Team ups for great justice! It's such a good time, I cannot wait for the next volume. And it's free to read!

The Bright Sword
In which a teenager arrives at Camelot, hoping to join the round table, only to find that Arthur and most of his knights fell at Camlann a fortnight earlier, and he and the remaining knights need to work out what the world should look like now. As a big fan of both Arthuriana and aftermath stories, this premise is very well targeted! And overall I liked this so much. At times it was a slighter more pessimistic take than I would prefer, to the point where there were moments that I wasn't sure I was actually enjoying reading it, but honestly given how well targeted to me it was, that might have been for the best, because when it worked for me it REALLY worked.

I also appreciated Grossman's sincere attempts to diversify the cast a little and give the women more to do. I didn't love
spoilersthe main disabled character getting Magically Healed
but overall a really solid attempt. I loved his Guinevere and would have liked to see more of her, and was also really fascinated by his interpretation of The Love Triangle:
spoilersLancelot is very much the bad guy and Guinevere genuinely was completely innocent!
- I don't think I've seen quite that version before, but there is so much Arthuriana I would not be surprised if it had come up before.

Speaking of, Grossman is clearly extremely well read on that front. It really felt like he knew the material really well and knew what he wanted to do with it, which is such a good feeling to have. It felt like it was particularly in conversation with The Once and Future King, but that might just be because a) it looms so large over this kind of retelling and b) I am basically always on some level thinking about The Once and Future King. I would love to read some scholarship on this book and its place within the genre.

(content note: non graphic rape and sexual abuse)

Blood Sweat Glitter
F/f roller derby romance novella! I inhaled this in one sitting. It's an absolute joy - funny, charming, with a lot of depth and substance to it. The characters, especially the main character, Eleanor, and their world, feel real and true; there's a lot going on in a relatively short word count to establish who they are and what the world they live in is like. It's beautifully grounded in its time and place - North London, early winter, after the initial horrors of the pandemic but still very much in their shadow - in a way that really worked for me.

I absolutely adored capable, lonely Eleanor, trying desperately to hold everything together. She and her love interest, Robin, are the catalyst for change in each other's lives in a way that's wonderful to see unfold. Robin too is a delight, and gradually coming to understand who she really is along with Eleanor was such a satisfying journey.

And as ever with Iona's writing, I found myself shrieking to myself in delight at some points and choking up at others - they truly are a master at subtly building to the point where you are suddenly extremely emotionally compromised and you can't quite explain why.

(Also I am very bad at roller skating, and I am scared of pain and falling over, but now I kind of want to join a roller derby team? Actually, on second thoughts, what I want is for my friends to join a roller derby team so I can cheer them on and buy all their stickers.)

Disclaimer: I received an ARC in return for an honest review, also the author is a friend.

Didn't finish:
The Weavers of Alamaxa - Hadeer Elsbai
The Weavers of Alamaxa
Sequel to The Daughters of Izdihar, which I enjoyed very much. Unfortunately this one sacrificed a lot of the things that I liked about its predecessor (character relationships! suffragettes!) in favour of a plot that would have been fine as a scaffold to hang richer worldbuilding and characterisation from, but didn't really work as the sole draw. I got about two thirds of the way through, at which point it became abruptly apparent that the dynamic I was most interested in was not going to get any more page time, so I stopped.
spoilery explanationTo recap, in the first novel, one of our heroines, the hot headed, privileged, but good hearted Nehal, ends up in an arranged marriage with Nico, who is already in a long term relationship with our other heroine, quiet but determined Giorgina. But instead of going the jealousy route or having Nico be a monster (he's a bit spineless but he cares a lot about them both, and he's Trying), Nehal immediately decides that this means Giorgina is Family and that she'd die for her if necessary (Giorgina is somewhat bemused by this), which I loved. Nehal also decides that she and Nico might as well be friends and allies if they're going to have to be married, which I also loved. I was really keen to see how the three of them were going to make their lives work, especially after Nehal turns out to be queer, but alas, Nico is unceremoniously killed off.
usuallyhats: River Song in her cell, looking up from her diary (river)
Silk and Steel ed. Janine A Southward
In Ascension - Martin MacInnes
The Library of Broken Worlds - Alaya Dawn Johnson
Long Live Evil - Sarah Rees Brennan
An Excellent Mystery - Ellis Peters
Carry On, Jeeves - PG Wodehouse
The Vanished Birds - Simon Jimenez
Moonstorm - Yoon Ha Lee

The Hidden Palace - Helene Wecker
The King's Peace - Jo Walton
The Hound of the Baskervilles - Arthur Conan Doyle
The King's Name - Jo Walton
The Tainted Cup - Robert Jackson Bennett
Immoral Code - Lillian Clark
The Secret of Cooking: Recipes for an Easier Life in the Kitchen - Bee Wilson
The Republic of Salt - Ariel Kaplan
The Village Library Demon-Hunting Society - CM Waggoner
This Enchanted Island - Tansy Rayner Roberts

(that's a lot of books starting with "The" in September, I wish I'd noticed in time to make it a clean sweep)


Silk and Steel (three stars), The King's Peace/The King's Name (four stars), The Tainted Cup (four stars), Immoral Code (three stars), The Village Library Demon-Hunting Society (three stars)Silk and Steel
This was a pretty frustrating anthology, in that I felt like a lot of the stories had a lot of potential that wasn't quite realised - I kept finding myself thinking, "I like what this is going for, but it hasn't quite pulled it off", or "this could be good, but it needed more space to develop". I was also pretty disappointed that the Tremontaine story, "The Sweet Tooth of Angwar Bec", is powered by a transphobic trope: the duel at its heart stems from the accusation that one of the women is "a man in a dress".

That being said, there were a few stories I really enjoyed (the first three in the book!). Freya Marske's "Elinor Jones vs. the Ruritanian Multiverse" was a lot of fun (despite trying to cram slightly too much in). Neon Yang's "Princess, Shieldmaiden, Witch and Wolf" was beautifully written and really satisfying, one of the few stories in the book that felt like it was actually the right length. And Alison Tam's "Margo Lai’s Guide To Dueling Unprepared" was a sheer sparkling delight.

The King's Peace/The King's Name
I picked up this duology as an example of both early Jo Walton and early aroace representation, and ended up loving it. It's a really absorbing AU King Arthur story (with a female lead) which really gets into one of the things I like in Arthuriana: the idea of a small group of people trying to build a better world and then to hold it together, knowing it might run aground if too many people let their pettiness and selfishness get the better of them, but trying anyway. It also acknowledges its status as one of many versions of the legend in ways that really worked for me.

Content note that book one basically starts with a relatively explicit rape scene - I ended up respecting the way the aftermath and reverberations, including further encounters with one of the people responsible, are handled across the duology, even when I didn't always like it, but mileages may vary.

Additional, related content note:
spoilersthis results in a pregnancy that she isn't able to abort for destiny reasons, even though that's usually an option in this world - she's allowed to have complicated feelings about this, but I the reader did not love it as a plot point.

(This experience is also linked slightly more closely with the protagonist being aroace than I would have preferred, though it's not a straightforward case of this being what made her aroace, she clearly wasn't particularly interested prior to the incident either.)

The Tainted Cup
I had such a great time with this! Fantasy murder mystery in which our detective duo are an autistic investigator (who struggles to leave her room due to Overwhelm) and her newly minted dyslexic sidekick: I loved them both and am very glad there's a sequel already on the cards. The world was very vividly drawn and had some definite Cemeteries of Amalo/Gormenghast type vibes, which I enjoyed a lot. Recommended!

(NB I don't do amazingly with body horror and this slightly tested my limits, but it was definitely worth it!)

Immoral Code
I picked this up for the aroace main character (who is consistently referred to as acearo, not a construction I'd heard before). Overall, it's a fun YA thriller in which a group of teens plan a heist to steal money for college for one of their number from the billionaire father who abandoned her, and I had a good time, even if the voices of the main teens were pretty indistinguishable to me. But I really hated the ending:
spoilers!what if the billionaire who abandoned his daughter is actually ok once he's been reminded she exists! Maybe he'll just GIVE her the money if she agrees to hang out with him on a regular basis, whether she wants to or not! This all seems fine.

The Village Library Demon-Hunting Society
Cosy mystery takes a supernatural turn when the local librarian/amateur investigator starts to wonder why no-one's questioned the fact that multiple murders have happened in quick succession in her small town, and why it is that she keeps coincidentally stumbling over crucial pieces of evidence to solve them. Which is a cracking premise! I ended up wanting more from the way it played out, but it was still an enjoyable read, and I think I'm partly marking it down because I loved the author's (very different) previous two books a lot.
usuallyhats: The cast of Critical Role sitting round a table playing Dungeons and Dragons (Default)
The Jinn-Bot of Shantiport - Samit Basu
Shubeik Lubeik
When Among Crows - Veronica Roth
The Sign of Four - Arthur Conan Doyle
The Iliad - Homer trans. Emily Wilson
The Ballad of Songbirds and Snakes - Suzanne Collins
Glorious Exploits - Ferdia Lennon
Lady Eve's Last Con - Rebecca Fraimow
Winter's Gifts - Ben Aaronovitch

Wonder Woman Historia: The Amazons
The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America - David Hadju
Voyage of the Damned - Frances White
The Inimitable Jeeves - PG Wodehouse
The Spear Cuts Through Water - Simon Jimenez
The Book of Witches ed Jonathan Strahan
A City on Mars: Can We Settle Space, Should We Settle Space, and Have We Really Thought This Through? - Kelly and Zach Weinersmith
Half a Crown - Jo Walton
The Wings Upon Her Back - Samantha Mills

When Among Crows (four stars), Glorious Exploits (four stars), Lady Eve's Last Con (five stars), Wonder Woman Historia: The Amazons (five stars), Voyage of the Damned (three stars), Half a Crown (? stars)When Among Crows
Urban fantasy novella steeped in Polish mythology. I really enjoyed this! It didn't set my world on fire, but it was very well done and I would absolutely read anything else Roth writes in this world and with these characters.

Glorious Exploits
Two unemployed Syracusan potters attempt to stage Medea using a group of Athenian prisoners of war. The summary and the googly-eyes-on-a-statue cover make it sound like this is going to be a comedy, but it's really not, although it is funny: it's a brutal world, and a lot of awful things happen (and have happened) to characters we care about. It's very moving, and in places very hard to read.

The author is Irish and the characters talk like contemporary Irish people, which works really well both in and of itself, and in support of some of the book's themes: how far can we understand people, especially those who are very different from us? And how far are we willing to try? One of the book's strengths is that it avoids easy moral lessons, but it does believe that it's important to try.

Lady Eve's Last Con
F/f con artists in spaaaaaaace! This was an absolute delight - frothy and fun, but with enough care for the characters and their world to give it plenty of substance too.

Wonder Woman Historia: The Amazons
Absolutely loved this take on the history of the Amazons. The first section was the best for me (not least because of how stunning Phil Jimenez's art is), but it was all great, I really hope DeConnick gets to do the rest of the planned volumes.

The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America - David Hadju
Really enjoyed this history of not just the moral panic around comics, but also their history more broadly - very engagingly written.

Voyage of the Damned
Definitely three stars (affectionate) rather than three stars (derogatory) here. There's a lot about this book that didn't work for me - the worldbuilding is Not Amazing being the key thing - but the main character was just so engaging that I had a great time anyway. He's a queer fat weirdo with an entirely understandable chip on his shoulder, dripping sarcasm but with an incredibly good heart; I really loved that even with the villains he would have a moment of "oh, I see how you're in pain here too, I'm sorry".

Half a Crown
I've liked a lot of things about this alt-history trilogy: they're overall absorbing and convincing, and particularly strong on how easy it is for a fascist society to back people into corners where it feels like there's nothing they can do. But WOW did this final volume not stick the landing.
full spoilersOur plucky heroine has a quick word with Queen Elizabeth, who then makes a big speech about how Fascism Is Bad Actually And We Should Just Not, everyone cheers, the bad guys are arrested and the surviving good guys released. ...really? That's what we're going for?
usuallyhats: The Second Doctor at the TARDIS console, Jamie biting his knuckles as he looks over the Doctor's shoulder (two jamie ohnoes)
The Feast Makers - HA Clarke
All That She Carried: The Journey of Ashley's Sack, a Black Family Keepsake - Tiya Miles
Have You Eaten? - Sarah Gailey
The Pilgrim of Hate - Ellis Peters
Displeasure Island - Alice Bell
Song of the Huntress - Lucy Holland
Liberty's Daughter - Naomi Kritzer
Operation Mincemeat: How a Dead Man and a Bizarre Plan Fooled the Nazis and Assured an Allied Victory - Ben MacIntyre
The Witches of World War II
Seeds of Mercury - Wang Jinkang / 水星播种, 王晋康, translated by Alex Woodend
Abeni's Song - P Djèlí Clark

Getting on with some Hugos reading now the voter packet is out! Liberty's Daughter is reviewed below, The Witches of World War II I liked but I thought needed a few more issues to flesh everything out a bit, Seeds of Mercury had some great ideas but also a fair bit of ableism, and Abeni's Song was lovely, but feels like middle grade to me, not YA.

Displeasure Island (five stars), Song of the Huntress (three stars), Liberty's Daughter (three stars)Displeasure Island
Sequel to Grave Expectations! I absolutely inhaled this. Loved the sense of humour, loved how well all the characters and their relationships were drawn, cannot wait for more.

Song of the Huntress
I liked a lot of things about this book. I enjoyed all the point of view characters very much - Aethul, Queen of Wessex; her husband Ine; Herla, former lover of Boudica, now leader of the Wild Hunt - and their relationships, especially Ine and Aethul and their struggles to connect and reconnect. And the prose was pretty good, if not quite as absorbing as I wanted it to be.

But it did feel a bit ahistorical at times, especially when it came to its queer characters. I did love that there was so much queerness (Aethul is bi, Herla is queer, there's a non-binary character, Ine is ace and it's GREAT), but the attitudes to that queerness just didn't quite ring true for me: as much as I don't want "everything is terrible in the Awful Homophobic Past", there is a lot of interesting ground between that and "everything is basically fine" that I love to see explored in fiction based in history.

ALSO. I did not love the idea of a magical power of kingship transmitted through bloodlines and originally bestowed by a being named Sovereignty. Again, this could have been interesting if explored and challenged, but as it was it was basically "divine right of kings, but it's pagan rather than Christian so it's FINE". It's still not fine!

Liberty's Daughter
This is very readable, but it also felt extremely disjointed (probably because it started life as a set of short stories), which made it hard to connect to anything that was happening, because the narrative kept making sudden swerves and failing to follow up on the consequences of previous threads. It's also RIDDLED with typos, my favourite being the secret stash of gold bouillon (and my least favourite being the mysterious disappearance of every 'd - I spent a while wondering if this was meant to indicate a Future Speech Pattern, but I think not?).
usuallyhats: River Song in her cell, looking up from her diary (river)
Greta & Valdin - Rebecca K Reilly
A Fire Born of Exile - Aliette de Bodard
Critical Role: The Mighty Nein Origins: Fjord Stone
Critical Role: The Mighty Nein Origins: Nott the Brave
Critical Role: The Mighty Nein Origins: Mollymauk Tealeaf
Fayne - Ann-Marie MacDonald
My Man Jeeves - PG Wodehouse
Crypt: Life, Death and Disease in the Middle Ages and Beyond - Alice Roberts
Better Living Through Birding: Notes from a Black Man in the Natural World - Christian Cooper
Tiger Honor - Yoon Ha Lee
When the Angels Left the Old Country - Sacha Lamb
Refusing Compulsory Sexuality: A Black Asexual Lens on Our Sex-Obsessed Culture - Sherronda J Brown
The Waking of Angantyr - Marie Brennan
Squire

Greta & Valdin (four stars), A Fire Born of Exile (three stars), When the Angels Left the Old Country (four stars)Greta & Valdin
Delightful novel about two disaster queer siblings and their Māori-Russian-Spanish family. Very warm, very funny, I loved it.

A Fire Born of Exile
This was billed as f/f Nirvana in Fire in space, and I really wanted to adore it, but although I enjoyed a lot of it, I never quite managed to let go of the fact that it wasn't quite what I wanted it to be and appreciate it for what it was. I wanted more complexity from the plot and from Quỳnh's machinations, and less explanation of what she was up to; I wanted more sense of the political situation she was stepping into and how she was manipulating it.

This might also be the fact that I'm a hard sell for romance, but I also felt like the romance plotline undermined the book somewhat: Quỳnh is meant to be this driven figure who'll stop at nothing to bring down the people who hurt her, but she seemed to spend most of the book focussing on the woman she'd fallen in instalove with, only snatching moments for the revenge plot here and there. I also raised an eyebrow at the part where
spoilersQuỳnh, allegedly a mastermind, goes to see her Secret Daughter in person and somehow doesn't spot the two teenagers following her until too late?

I don't know. I love the Xuya universe, I like de Bodard's writing a lot, I loved the casual queerness, but this one just didn't hit the mark for me. I thought the beginning was excellent, and nicely ambiguous, and was disappointed that the rest didn't really live up to it for me, but I can't really tell how much of that is the book, and how much is that I was expecting political manoeuvring and what I got was romance.

When the Angels Left the Old Country
This book is about a Jewish angel and demon leaving their shtetl in Poland to go to America, and it was an absolute delight. Along the way they meet an excellent lesbian, get drawn into union organising, spend some time considering morality and identity, and it's all a very good time, I enjoyed it immensely.
usuallyhats: River Song in her cell, looking up from her diary (river)
Chain-Gang All-Stars - Nana Kwame Adjei-Brenyah
The Saint of Bright Doors - Vajra Chandrasekera
Hell Bent - Leigh Bardugo
American Born Chinese - Gene Luen Yang
Hollowthorn - Kalyn Josephson
Unlikeable Female Characters: The Women Pop Culture Wants You to Hate - Anna Bogutskaya
Dead Man's Ransom - Ellis Peters
Our Hideous Progeny - CE McGill
To Sail Beyond the Botnet - Suzanne Palmer
The Hexologists - Josiah Bancroft
The Scandalous Letters of V and J - Felicia Davin

Three Eight One - Aliya Whiteley
The Mystery at Dunvegan Castle - TL Huchu
Time of the Cat - Tansy Rayner Roberts
Catherine, Called Birdy - Karen Cushman
Ha'penny - Jo Walton
Thick As Thieves - Megan Whalen Turner
The Dictionary People: The Unsung Heroes Who Created the Oxford English Dictionary - Sarah Ogilvie
The Body in the Blitz - Robin Stevens
A Stroke of the Pen - Terry Pratchett
Phantom Pains - Mishell Baker
Unruly: The Ridiculous History of Britain's Kings and Queens - David Mitchell

Not much to say about these, and I've been really busy at work so haven't had much brain for writing things up. A lot of really solid books in there, plus The Saint of Bright Doors really is as good as everyone's been saying.

Unlikeable Female Characters (three stars), Our Hideous Progeny (five stars)Unlikeable Female Characters: The Women Pop Culture Wants You to Hate
This book felt like it was constantly on the verge of making an argument that it never quite got to. I really enjoyed its journey through the evolution of various types of unlikeable female character, and I'm glad I read it, but I wish there had been slightly more of a destination at the end of it.

Our Hideous Progeny
This was GREAT: what if Frankenstein's paleontologist great-niece discovered his notes and decided to Make Some Mistakes? It's incredibly assured for a debut and really good at nuance - every character is a whole person who remains human however badly they behave.

(content notes (beyond everything implied by "Frankenstein" and "Victorian setting"): infant loss)


Didn't finish:
Far From the Light of Heaven - Tade Thompson
Far From the Light of Heaven
I stuck with this much longer than I should have, partly because I found a lot to like in the author's previous work, and also because the premise sounded exactly up my alley: locked spaceship murder mystery in which the captain, Shell, wakes up to find that the ship's AI has rebooted and thirty of the thousand sleeping passengers she'd been transporting have been murdered. But sadly it just wasn't great. It's really messy and unfocussed: stuff keeps happening and our heroes react to it, but they (as of 50% in) never really get the chance to investigate anything or do anything other than react.

It also felt weirdly low stakes: the characters and narrative seem to forget about the surviving passengers too frequently for the threat to them to seem real, plus the ship is a) orbiting a planet, which seems to have the capability to rescue the named characters whenever, and b) close enough to the last space station it checked in at for Shell's godfather and his daughter to pop over and help out more or less on whim.

Ultimately there were some great elements and ideas thrown in, but the execution wasn't quite there, alas.
usuallyhats: River Song in her cell, looking up from her diary (river)
These Burning Stars - Bethany Jacobs
Starling House - Alix E Harrow
The Principle of Moments - Esmie Jikiemi-Pearson
System Collapse - Martha Wells
King's Shield - Sherwood Smith
The Last Devil to Die - Richard Osman
The Mimicking of Known Successes - Malka Older
Ace Voices: What it Means to be Asexual, Aromantic, Demi or Grey-Ace - Eris Young
Paladin's Faith - T Kingfisher

Very strong start to the year with These Burning Stars and Starling House, plus my favourite Murderbot book yet!

These Burning Stars (five stars), Starling House (four stars),
The Principle of Moments (? stars)
These Burning Stars
What a great start to the year! This was a compulsive slice of character driven space opera, with an excellent twist that I did not see coming, and a really thoughtful and unexpected ending. Cannot wait for the next one.

Starling House
Gothic novel, set in Kentucky, that's about finding the line between taking out your righteous, justified anger on the people who hurt you, and on taking it out indiscriminately on everyone around you (especially yourself), as well as being about extending compassion to those who haven't been able to find that line. I usually wouldn't bother with anything that leans this hard on an m/f romance, but I took a punt on it because I love Alix E Harrow's writing, and I ended up really loving it. (Particularly because the female main character's other relationships are just as important as the romance, and the romance itself is extremely grounded in both the personalities of the two characters and in the themes of the book as a whole.)

The Principle of Moments
Very torn on this one, tbh. On the one hand, there are certainly some things that would usually put me off: it's being marketed as adult but it feels very YA (possibly because it was written when the author was a teenager), the writing isn't always the best, ditto the characterisation and worldbuilding. On the other hand, it has such a wonderful inventive exuberance to it that it's hard not to get swept up in. It's a blend of space opera, time travel and queer regency romance, and it's having such a wonderful time rolling around in a million tropes and ideas that it's hard not to have fun reading it. On the OTHER other hand, there's a plot beat towards the end that I really hated - both a personal dislike and a feeling that it needed more build up to fully land. So I don't know. I feel like I probably won't end up reading the rest of this trilogy? series?, but I'll definitely keep an eye out for what Jikiemi-Pearson does next - whatever its flaws, this was a wildly imaginative and confident book, and I feel like she has the potential to grow into a tremendous writer.
usuallyhats: The cast of Critical Role sitting round a table playing Dungeons and Dragons (Default)
Thornhedge - T Kingfisher
Bitter - Akwaeke Emezi
Farthing - Jo Walton
The Odyssey trans. Emily Wilson
The Archive Undying - Emma Mieko Candon
Mammoths at the Gates - Nghi Vo
The Death I Gave Him - Em X Liu
Something That May Shock and Discredit You - Daniel Ortberg
Grave Expectations - Alice Bell
Making Money - Terry Pratchett
The Quiet American - Graham Greene


Mammoths at the Gates (four stars), The Death I Gave Him (four stars), Grave Expectations (five stars)Mammoths at the Gates
The latest in Nghi Vo's Singing Hills Cycle and my favourite so far, this is a quiet, thoughtful meditation on grief and the impact of a person in the world. I really liked it.

The Death I Gave Him
What if Hamlet was a near future locked room mystery set in a lab that's trying to conquer death? This was a cool twisty thriller that considers questions of culpability and guilt, especially around the death of the Polonius equivalent, with a beefed up role for Ophelia. A really interesting reworking that never felt like the characters were being railroaded into following the plot, which is always an achievement with this kind of retelling.

Grave Expectations
Murder mystery in which a drifting millennial, who discovered she could see ghosts when her best friend was murdered aged seventeen, gets hired in her capacity as a medium by a rich family for a fancy house party, and ends up teaming up with the two least awful family members to solve a murder. Lovely light tough that nevertheless doesn't shy away from the darkness of the premise, whilst also being very funny. Two things I particularly enjoyed: 1) the main characters are realistically not amazing at solving mysteries, but not in a way that feels frustrating; 2) the relationship between the two aforementioned least awful family members (uncle and nibling): their affection for each other leapt off the page. Very pleased that this is the first in a series.
usuallyhats: River Song in her cell, looking up from her diary (river)
The Adventures of Amina Al-Sirafi - Shannon Chakraborty
The Legend of Korra: Ruins of the Empire Part One
Masquerade in Lodi - Lois McMaster Bujold
Can't We Just Print More Money? - Rupal Patel and Jack Meaning
A Day of Fallen Night - Samantha Shannon
Circle of Magic: Briar's Book - Tamora Pierce
Fake Law: The Truth About Justice in an Age of Lies - The Secret Barrister
Lords of Uncreation - Adrian Tchaikovsky
The Legend of Korra: Ruins of the Empire Part Two
Paladin's Hope - T Kingfisher
Island of Whispers - Frances Hardinge
The Legend of Korra: Ruins of the Empire, Part Three

S.W.O.R.D. Vol 1
Captain Carter: Woman Out of Time
Magnificent Ms Marvel: Destined
Magnificent Ms Marvel: Stormranger
Magnificent Ms Marvel: Outlawed
Ms Marvel: Beyond the Limits
Divine Might: Goddesses in Greek Myth - Natalie Haynes
The Helios Syndrome - Vivian Shaw
American Hippo - Sarah Gailey
A Theory of Haunting - Sarah Monette
The Dance Tree - Kiran Millwood Hargrave
A Power Unbound - Freya Marske
Shadow Baron - Davinia Evans
A History of the Roman Empire in 21 Women - Emma Southon
Lessons in Chemistry - Bonnie Garmus
Ace! The Inside Story of the End of an Era - Sophie Aldred and Mike Tucker
Untethered Sky - Fonda Lee
Bishop's Opening - RSA Garcia
The Madness: A Memoir of War, Fear and PTSD - Fergal Keane

I had covid in the middle there (shout out to my library for getting a ton of comics in ebook format, which kept me going when I didn't have the brain for prose), hence no post last month!

The Adventures of Amina Al-Sirafi (five stars), A Day of Fallen Night (two stars), A History of the Roman Empire in 21 Women (four stars), Untethered Sky (five stars), The Madness: A Memoir of War, Fear and PTSD (five stars)The Adventures of Amina Al-Sirafi
I loved this! It's a delightful romp with a strong thread of figuring out who you want to be, and how to balance that with the fact that your decisions affect other people. The main character, a middle aged pirate dragged out of a quiet retirement with her young daughter for One Last Job, and thereby confronted by the fact that she loves adventuring, tackles this most obviously, but it comes through for other characters too. Goodreads reckons it's the first in a trilogy (though I think it does work as a standalone) and I am EXCITED.

A Day of Fallen Night
I thoroughly enjoyed Priory of the Orange Tree, so I had high hopes for this prequel, but unfortunately it turned out to be a bit of a dud. It all felt really flat and underdeveloped, and a lot of the arcs basically went nowhere, possibly due to the constraints of it being a prequel? I also kept feeling like it was constantly swerving away from the stuff I was interested in exploring in favour of pointless runarounds. It wasn't completely without merit (I finished it, after all) - there were some nice moments and some interesting ideas, and a few characters I was at least a little invested in, but overall, a frustrating reading experience.

A History of the Roman Empire in 21 Women
OK, first of all, the US title is much better (A Rome of One's Own), this one's a bit Ronseal, but that didn't detract from my enjoyment at all. Southon charts the course of the Roman Empire via the lives of her 21 women, persuasively arguing that this is a much better way to look at it than through lists of emperors and battles. Which is not to say those things don't feature, but Southon makes the case that we can tell a lot about Rome via how these women lived and were treated. Her prose is chatty and irreverent, but I could feel the weight of scholarship behind it, and I enjoyed it very much.

Untethered Sky
This novella, about a young woman bonding with and training a roc to hunt monsters, was fantastic. Fonda Lee is great at creating characters and worlds extremely economically, so it felt dense and rich in the way novellas don't always manage for me, and the plot is exactly the right size for the length. I loved it, highly recommended.

The Madness: A Memoir of War, Fear and PTSD
As the title suggests, this is a lot, but it's also a really compelling read, with a clear and compassionate prose style that worked incredibly well. Keane doesn't belabour the horrors he experienced and encountered, because there's no need, they speak for themselves

Didn't finish:
The Surviving Sky - Kritika Rao
The Surviving Sky - Kritika Rao
This had some really cool worldbuilding and centred on a couple who've been married for over a decade, which I thought sounded interesting. When we meet this couple, their marriage is on the rocks, and we're supposed to root for them to rebuild their relationship, which could have been great if it wasn't for the fact that the husband seemed... pretty terrible. When we meet him, he's spent seven months giving his wife the silent treatment, but has decided that he just HAS to talk to her now, so he uses his magical abilities and the societal power they give him (and which she does not have) to muscle his way onto the important expedition she's about to set out on, even though she asks him not to. He then proceeds to lecture her about how busy he's been and how important he is, and how worthless her own work is. According to Goodreads their reconciliation is a big part of the rest of the book, and maybe he sees the error of his ways, but I just couldn't face it. Which is a shame, because I liked the female main character a lot and the world seemed potentially really interesting!
usuallyhats: River Song in her cell, looking up from her diary (river)
He Who Drowned the World - Shelley Parker-Chan
Hello World: How to be Human in the Age of the Machine - Hannah Fry
Ducks: Two Years in the Oil Sands - Kate Beaton
Into the Riverlands - Nghi Vo
The Water Outlaws - SL Huang
Band Sinister - KJ Charles
The Kingdom of Darkness - Sarah Monette
The Fox - Sherwood Smith
Perilous Times - Thomas D Lee
Desdemona and the Deep - CSE Cooney
Suradanna and the Sea - Rebecca Fraimow
Jade Shards - Fonda Lee
The Devil's Novice - Ellis Peters
The Raven Throne - Stephanie Burgis
America: Fast and Fuertona

He Who Drowned the World (five stars), Ducks: Two Years in the Oil Sands (five stars), Jade Shards (five stars)
He Who Drowned the World
This was incredible, Shelley Parker-Chan really stuck the landing with this one. It's frequently brutal, but not completely bleak - it's full of hurt people who now have the power to hurt others, and it doesn't shy away from the pain they cause (while still maintaining compassion and understanding for them), but it also knows and believes that there is another way and that other choices are possible, even if they're not easy and they might not last. It really grapples with ideas of power and whether it's justifiable to cause pain and suffering if it's in service of building a better world, and I really appreciated both that and the answers it found. I can't wait to see what Parker-Chan does next.

Ducks: Two Years in the Oil Sands
Ooof, this memoir of the two years Kate Beaton spent working on the oil sands was excellent and a lot. It grapples with a lot of big things (sexual assault and rape, the way capitalism strips away your choices) in a way that's often very bleak, but it's also leavened with a lot of the humour and warmth of people being people, and I'm really impressed that it contains both without either undermining the other.

Jade Shards
I absolutely inhaled these short stories in Fonda Lee's Green Bone universe. None of them are essential, but they flesh out the characters and world beautifully. Lee built such a rich world and characters in those books, and let them grow in really interesting and convincing ways, so it's always a pleasure to spend time in the universe - slightly bittersweet this time knowing she isn't intending to revisit it. I wouldn't recommend this as a jumping on point, but for anyone who's already read the trilogy, it's definitely worth your time.

(Content note for suicide on the second story)


I also really liked The Raven Throne and Hello World, and continue to thoroughly enjoy Sherwood Smith's Inda Quartet!
usuallyhats: The four ghostbusters heading into battle (ghostbusters into battle)
The Pomegranate Gate - Ariel Kaplan
Inda - Sherwood Smith
The Satapur Moonstone - Sujata Massey
I Hope We Choose Love: A Trans Girl's Notes from the End of the World - Kai Cheng Thom
Flight and Anchor - Nicole Kornher-Stace
Neon Roses - Rachel Dawson
Blood on the Tracks: Railway Mysteries ed Martin Edwards
The Lies of the Ajungo - Moses Ose Utomi
Labyrinth's Heart - MA Carrick
Practical Witching - Tansy Rayner Roberts

The Pomegranate Gate (five stars), Inda (four stars), Neon Roses (four stars), Labyrinth's Heart (five stars)The Pomegranate Gate
I absolutely loved this - portal fantasy in a slightly AU Inquisition era Spain, centring on two Jewish characters. It took a while to get going, but once I was through the setup chapters and the plot was up and running, it really sang (and I specifically really enjoyed its sense of humour). It's very definitely book one in a series, but it does wrap up plenty of elements while also setting up for the next volume. Highly recommended.

Inda
I wasn't expecting to love this secondary world fantasy* as much as I did, but the character work really made it - the characters and their relationships just drew me in more and more as it developed. It was published in 2006 and feels really dated in some ways, but it's also really nice to read a really good example of the kind of epic fantasy that isn't as popular now, especially one that knows that queer people exist. I loved it and would have gone straight into the next one if it had been available as an ebook in this country.

*the glossary at the end casually drops the fact that actually all the people arrived through a portal from our world many generations ago, I looked it up and apparently there's a whole multiverse thing going on?

Neon Roses
So this definitely feels like it might be Pride fanfic, but for me that was absolutely a selling point - it's about a young woman in Wales in the 1980s who figures out she's queer when LGSM comes to town. I didn't always love its stylistic choices, but I did love how rooted in its specific time and place it was, and also how many of the people in Eluned's immediate circle were kind and supportive.

Labyrinth's Heart
Absolutely loved this. I feel like this trilogy has definitely had its issues, especially around pacing, but I'm just so happy with all the choices the authors made and all the things they considered important in this final volume.

relationship spoilersI did spend a fair bit of time OT3ing Ren, Grey and Vargo, but as soon as Carrick was like "hear me out: what if FRIENDSHIP was as important as romance?" I was ride or die for Vargo's relationships with Ren and Grey remaining platonic. Also I don't know if this was the intention, but I am 100% reading Vargo as aromantic allosexual and I'm very into it)

Didn't finish:
The Light at the Bottom of the World - London Shah
This had a great premise and a great opening (underwater London!), but I'm just not really that into YA - the things I want to read are not the ways YA wants to write, and that's not a flaw in either of us, it's just a mismatch of expectations.
usuallyhats: River Song in her cell, looking up from her diary (river)
The Midwinter Witch - Molly Knox Ostertag
The Routledge Handbook of Star Trek - ed Leimar Garcia-Siino, Sabrina Mittermeier and Stefan Rabitsch
Unraveller - Frances Hardinge
If Found, Return to Hell - Em X Liu
The Daughters of Izdihar - Hadeer Elsbai
Ace: What Asexuality Reveals About Desire, Society and the Meaning of Sex - Angela Chen
Inscape - Louise Carey
Still Just A Geek: An Annotated Memoir - Wil Wheaton
The Sun and the Void - Gabriela Romero Lacruz
A Mirror Mended - Alix E Harrow
Ravenfall - Kalyn Josephson

Unraveller (five stars), If Found, Return to Hell (four stars), The Daughters of Izdihar (four stars), Inscape (four stars)Unraveller
Frances Hardinge's latest, and she really is just going from strength to strength. She writes such rich and intense worlds and such interestingly complicated characters, all with a kind of essential sympathy for people and the way that they can get tangled up in themselves and their situations - this one was at least partly about prison abolition, which I wasn't expecting and really liked.

(content note for spider-like creatures: mostly I think it's not too bad on that front, aside from one incident about 80% in)

If Found, Return to Hell
Low level intern at a corporate magic company gets in too deep helping a young man who's been possessed by a demon, shenanigans (and found family) ensue. I loved this a lot! I wish it had been just a little longer (the denouement needed a little bit more, I thought, plus the very concept of the corporate magic company could have run and run), but otherwise GREAT. Rebellion Publishing is really putting out some excellent work at the moment.

The Daughters of Izdihar
This fantasy novel uses a lot of tropes around patriarchal societies where women are forbidden to use magic, but the execution was very good, largely because of the strength of the characters. The two leads are particularly great - Nihal: spiky, privileged, good hearted bull in a china shop; Giorgina: desperately trying to balance the demands of society and family with her own heart - but I was impressed at how nuanced many of the supporting characters were too. I absolutely loved the moment where
(spoilers)Giorgina realises that being good doesn't get her any more benefit of the doubt than being bad would have, and decides to just do what she wants.
And, being me, I loved Nihal's straightforward insistence that Giorgina, the woman her husband loves, is basically family to her. I really hope we see more of their relationship in the sequel.

Inscape
Solid SF thriller, set in a near future corporate controlled London. Very satisfying, and did a great job of making the main character's earnest naivety sympathetic rather than grating.

Didn't finish:
The First Bright Thing - JR Dawson, The Necessity of Rain - Sarah ChornThe First Bright Thing - JR Dawson
This had a lot of great elements - magical circus, queer Jewish lead, queer found family, time travel - but overall just didn't quite land for me. The setting didn't quite feel lived in and the characters weren't quite there, despite how much I wanted to like it. The good guys also had very modern attitudes (which is fine and a choice I often like a lot!), expressed in very correct modern ways, which can also be fine, but in this case didn't help with the slight feeling of flatness. I feel like this had good bones and good potential, but needed a few more rounds of edits to make it sing.
spoilersI will say that I felt like the villain's villainy was tied to his trauma in ways I didn't enjoy, but possibly this is challenged or complicated later in the book.

The Necessity of Rain - Sarah Chorn
I think this was just a bad fit for me - the prose was on the overwrought side, and I just wasn't really feeling it.
usuallyhats: Janeway sitting at a table, smiling (janeway)
The Secret Barrister: Stories of the Law and How It's Broken - The Secret Barrister
Luna: Moon Rising - Ian McDonald
The Sanctuary Sparrow - Ellis Peters
Gate Sinister - Tansy Rayner Roberts
The Iron Children - Rebecca Fraimow
The Inheritance of Orquídea Divina - Zoraida Córdova
The Ministry of Unladylike Activity - Robin Stevens
Tread of Angels - Rebecca Roanhorse
In the Land of Invented Languages: Esperanto Rock Stars, Klingon Poets, Loglan Lovers, and the Mad Dreamers Who Tried to Build a Perfect Language - Arika Okrent

City of Last Chances - Adrian Tchaikovsky
Some Desperate Glory - Emily Tesh
House Perilous - Tansy Rayner Roberts
Strong Female Character - Fern Brady
Dungeons & Dragons: Honor Among Thieves: The Druid's Call - EK Johnston
Godkiller - Hannah Kaner
The Widows of Malabar Hill - Sujata Massey
Rose/House - Arkady Martine
The Absolute Book - Elizabeth Knox
Two Serpents Rise - Max Gladstone
Babel: An Arcane History - RF Kuang
Legends and Lattes - Travis Baldree
A Scatter of Light - Malinda Lo
The Faithless - CL Clark
Babylon 5 Season by Season: The Coming of Shadows - Jane Killick
The Hidden Witch - Molly Knox Ostertag
The Serpent's Egg - Caroline Stevermer
Sweep of Stars - Maurice Broaddus

Diamond Dogs, Turquoise Days - Alastair Reynolds
Once Upon a Tome: Misadventures of a Rare Bookseller - Oliver Darkshire
Witch King - Martha Wells
Midnight at Malabar House - Vaseem Khan
Monstrous Little Voices: New Tales from Shakespeare's Fantasy World - Jonathan Barnes, Adrian Tchaikovsky, Emma Newman, Kate Heartfield and Foz Meadows
Ink Blood Sister Scribe - Emma Törzs
To Shape a Dragon's Breath - Moniquill Blackgoose
Rule of Wolves - Leigh Bardugo
Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley - Charlotte Gordon

(forgot to do this at the beginning of May, then was ill at the beginning of June, hence the backlog!)

Rose/House (five stars), The Serpent's Egg (four stars), A Scatter of Light (four stars), Ink Blood Sister Scribe (four stars), To Shape a Dragon's Breath (four stars)Rose/House
Really excellent novella - the elevator pitch is that it's a locked room mystery where the room is also a suspect, but it's not a traditional whodunnit, more of a mood/atmosphere piece meditating on identity and personhood, with Martine's usual excellent prose. It's very different to her Texicalaan novels in a lot of ways, but shares some thematic resonances. I loved it.

A Scatter of Light
I liked this a lot, though at times it felt like it was trying to throw in too many elements and not quite doing justice to them all. There's a significant event towards the end of the book that felt particularly underserved, and which ended up being a choice I really disliked as a result. Which is a shame, because whenever the characters were allowed to just be, it was really excellent. Malinda Lo is just so good at pinpointing and conveying what it's like to be a specific person at a specific moment, and whenever the book was just doing that, I absolutely loved it.

(I also really loved that this is a novel about a teenager figuring out she's bi in a world where that's not that much of a big deal? Like, she's confused and trying to work out what she wants, but she's not panicking about the possibility of being queer, and that's so great to see.)

(content notes: non-consensual sharing of explicit images, infidelity, death/grief)

The Serpent's Egg
This secondary world fantasy is a bit of an odd duck, in that the fantasy elements (including the eponymous egg) felt a bit disconnected from the main plot - I wonder if it would actually have been stronger without them? I did enjoy this very much nevertheless (other than one choice towards the end) - it's a very satisfying and well imagined Elizabethan-esque world, and it was overall a good time.

Ink Blood Sister Scribe
This mostly missed out on being a five star read thanks to the cursory m/f romance that popped up towards the end, but otherwise it was GREAT: magic! books! sisters! queer characters! casual Jewish rep! a really lived in world! Good times all round, tbh. (It felt like the author had read Practical Magic and grabbed all the bits she liked, but in a good way.)

Content notes: parental death, grief, abusive parental figures

To Shape a Dragon's Breath
Magical school novel set in an alt-nineteenth century US, with a queer, poly Indigenous lead. I really liked this - it was a great read, and although it wasn't perfect, it was very solid, and I think it's the author's first book, so I'm excited to see how she levels up in future books.

Content notes: anti-Indigenous racism


I also really really loved The Iron Children and Some Desperate Glory, thoroughly recommended, though with a note that the provided content warnings on the latter are NOT messing around, caveat lector. And I still don't know what I thought of The Absolute Book overall, but I'm glad I read it.
usuallyhats: The cast of Critical Role sitting round a table playing Dungeons and Dragons (Default)
The Bullet That Missed - Richard Osman
Ninth House - Leigh Bardugo
So Many Beginnings - Bethany C Morrow
Checkmate - Dorothy Dunnett
Castle Charming - Tansy Rayner Roberts
Castle Ever After - Tansy Rayner Roberts

Rutherford and Fry's Complete Guide to Absolutely Everything (Abridged) - Adam Rutherford and Hannah Fry
Critical Role: The Mighty Nein - The Nine Eyes of Lucien - Madeleine Roux
Siren Queen - Nghi Vo
Avatar: the Last Airbender - The Search
An Immense World - Ed Yong
Penric's Fox - Lois McMaster Bujold
The Bangalore Detectives Club - Harini Nagendra
The Genesis of Misery - Neon Yang
Avatar, the Last Airbender: The Rise of Kyoshi - FC Yee

Wow I am behind on these! OK, here's some even briefer than usual reviews of the things I really loved over the last couple of months:

Ninth House (five stars), Critical Role: The Mighty Nein - The Nine Eyes of Lucien (four stars), Siren Queen (five stars), The Genesis of Misery (four stars)Ninth House
Urban fantasy/dark academia with a main character I really grew to root for, and a strong throughline of women protecting women being the key. Excited to read the sequel!

Critical Role: The Mighty Nein - The Nine Eyes of Lucien
I really love when a tie-in novel is far better than it needs to be, and this is a great example of that. I went in not hugely invested in Lucien or Molly, but the book really hooked me regardless.

Siren Queen
Pre-Code Hollywood but with magic, from the perspective of a queer brown actress who'd rather be a monster than a maid. Nghi Vo is just going from strength to strength - the nuance in every character and relationship was so good. This one goes to some dark places, but I felt was ultimately hopeful.

The Genesis of Misery
Really satisfying space opera - great worldbuilding, great characters, and the way the story twists and turns under you is excellent.
usuallyhats: Janeway sitting at a table, smiling (janeway)
The Stars Undying - Emery Robin
Everything for Everyone: An Oral History of the New York Commune 2052-2072 - ME O'Brien and Eman Abdelhadi
The Map and the Territory - AM Tuomala
Even Though I Knew the End - CL Polk
Lent - Jo Walton
Lumberjanes: Bonus Tracks
Paladin's Strength - T Kingfisher
Terry Pratchett: A Life With Footnotes - Rob Wilkins
Thud! - Terry Pratchett
Better: A Surgeon's Notes on Performance - Atul Gawande
The Misadventures of an Amateur Naturalist - Ceinwen Langley
Unreal Alchemy - Tansy Rayner Roberts
Holiday Brew - Tansy Rayner Roberts

The Stars Undying (five stars), The Map and the Territory (four stars), Even Though I Knew the End (five stars), Unreal Alchemy/Holiday Brew (four stars)The Stars Undying
Deeply entertaining start to an SF series with the premise: what if Cleopatra, Caesar and Marc Antony, but in space (and also Marc Antony's a woman). I feel like I had just the right amount of historical knowledge for this to work incredibly well for me, ie I could go "I understood that reference!" every now and then, and it was very satisfying. (Possibly people with more knowledge would get even more out of it, possibly they'd get less, I don't know!) The worldbuilding and character work was very solid, and this was one of two books I read this month where the last line basically earned the fifth star all by itself.

OH ALSO here is the tweet that originally sold me on it: https://twitter.com/emwrobin/status/1566548504503353345?s=20

The Map and the Territory
Very solid fantasy novel in which a wizard and a cartographer are thrown together in the immediate aftermath of a series of world shaking catastrophes, which follows them as they attempt to piece together what's happened and who has survived. It's just quietly very good - I especially enjoyed the variety of ways the people they met were choosing to deal with what they'd experienced.

Even Though I Knew the End
Really excellent novella featuring angels, demons and magic in 1940s Chicago, as well as a beautifully written central f/f relationship. The writing is very good - this was the other book I read this month with a killer final line.

(Content notes: state sanctioned homophobia, medical violence)

Unreal Alchemy/Holiday Brew
Very fun compilation of... long short stories, I suppose, about a group of Australian undergraduates in a world where magic is real (and also some of them are in a band). They're mostly pretty light on the whole, but very enjoyable - definitely recommended if this is the sort of thing you're in the mood for. (Note that Holiday Brew gets into some slightly heavier stuff about dysfunctional families.)


Didn't finish:
How High We Go In the Dark - Sequoia NagamatsuHow High We Go In the Dark - Sequoia Nagamatsu
This is about a deadly plague, specifically one that largely affects children, at least in the initial stages, and it turns out I was just not prepared for that level of bleak. Other reviewers found that it was ultimately hopeful, but either that didn't come through as strongly for me, or I just didn't get far enough (I noped out around 32%). I suspect it didn't help that it's structured as a series of loosely connected vignettes, which hit my pickiness around short stories: I really liked the first one, in which an archaeologist goes to the site of his daughter's death to both pick up her work and make sense of his grief, but the next two I struggled with. So this was just really not for me, rather than necessarily being a bad book.

(Though I will also note that as per a reviewer on goodreads, sounds like the protagonists of each section continue to be mostly male, and that there are no indications that queer people exist at all in this world.)
usuallyhats: River Song in her cell, looking up from her diary (river)
The Scratch Daughters - HA Clarke
Slippery Creatures - KJ Charles
On the Come Up - Angie Thomas
The Stardust Thief - Chelsea Abdullah
NW - Zadie Smith
Children of Memory - Adrian Tchaikovsky
Rivers of London: The Fey and the Furious
Penric and the Shaman - Lois McMaster Bujold
The Language of Roses - Heather Rose Jones
Monk's Hood - Ellis Peters
A Tip for the Hangman - Allison Epstein
Going Postal - Terry Pratchett
Nothing But the Truth: A Memoir - The Secret Barrister

(Let's just all agree to politely ignore the fact that it's almost February, shall we?)

The Scratch Daughters (five stars), Children of Memory (four stars), The Language of Roses (five stars), A Tip for the Hangman (four stars)The Scratch Daughters
This is the sequel to The Scapegracers, which I reviewed last month and loved. Everything I loved about that one is still true of this one, but even more so.

Children of Memory
I find Tchaikovsky's writing a little bit hit and miss, and I thought this was going to be more of a miss, until we hit the twist around the halfway point and just like that, it had me. The rollercoaster from hope to tragedy and back again was so beautifully done, it was wonderful. And the truly alien aliens in this series are excellent.

The Language of Roses
This aromantic take on Beauty and the Beast was really wonderful. It captures the feel of the original story whilst taking a whole different angle to examine love and compulsion, and it manages to follow the beats while not feeling like it's being forced or contorted to fit them. Just excellent all round.

A Tip for the Hangman
I really enjoyed this fictionalised version of Kit Marlowe's life: it's a really solid historical novel, with occasional flashes of excellence. I was particularly impressed with how Epstein handled the ending, it hit the perfect note of feeling both avoidable and yet also inevitable, which is a testament to how carefully the characters and the world had been established.


Didn't finish:
The Final Strife - Saara El-ArifiThe Final Strife - Saara El-Arifi
This should have been a solid 3.5 stars (pretty good overall, some slightly stilted prose/exposition balanced by some excellent ideas), but the fatphobia really killed it for me. About a fifth of the way in the book introduces a fat pov character, but even while we're in her point of view, we're immediately hit with a ton of fatphobic clichés (which I'm cutting for anyone who doesn't want to know the details):
she's clumsy, she's messy (specifically her dress is stained because she's stashed some fried food in her pocket), she's self indulgent and she's over privileged (the aforementioned stained dress she justs drops onto her bedroom floor for her servant to dispose of). Although her body shape gets some positive comments, there's also a lot of negative stuff, including a scene of the thin main character trying on her clothes and thinking about how huge they are on her. She's unfit and she eats a lot, especially fried food - so here comes the thin main character to change her diet and force her to exercise, how novel. (There should definitely be space for fat characters to be clumsy or messy or unfit, of course, but context matters! As far as I can tell, she's the only fat character, and, although she has other stuff going, on a lot of her personality is dominated by these fatphobic tropes.)
I did really like her, and I'm given to understand she becomes the main character's love interest later on, which isn't nothing, but I just couldn't get beyond how much of a stereotype her portrayal starts out as.
usuallyhats: The cast of Critical Role sitting round a table playing Dungeons and Dragons (Default)
The Heretic's Guide to Homecoming: Book Two: Practice - Sienna Tristen
Monstrous Regiment - Terry Pratchett
Dracula - Bram Stoker
Ocean's Echo - Everina Maxwell
The Virgin in the Ice - Ellis Peters
A Restless Truth - Freya Marske
Agrippina: Empress, Exile, Hustler, Whore - Emma Southon
The Complete Debarkle: Saga of a Culture War - Camestros Felapton
Zachary Ying and the Dragon Emperor - Xiran Jay Zhao
The River of Silver - Shannon Chakraborty
The Scapegracers - HA Clarke
The Red Scholar's Wake - Aliette de Bodard
Rivers of London: Action at a Distance
The Old Guard, Book One: Opening Fire
Empress of Forever - Max Gladstone
Matrix - Lauren Groff

I wrote this all up forever ago and then just... didn't post it for some reason.

The Heretic's Guide to Homecoming: Book Two: Practice (five stars), Ocean's Echo (five stars)/A Restless Truth (four stars)/The Red Scholar's Wake (four stars), The Scapegracers (four stars), Empress of Forever (five stars)The Heretic's Guide to Homecoming: Book Two: Practice
I almost don't know how to talk about this and the previous half of the duology, I loved them so much. They're a very in depth exploration of anxiety, of friendship, of trust and of trying to be a good person and to be yourself in the face of a complex web of other people's situations, opinions and expectations, and they're so quietly intense and powerful. I don't know that they're for everyone, but they had a profound effect on me.

Ocean's Echo/A Restless Truth/The Red Scholar's Wake
Lumping these together because I have quite similar opinions about all three. As we know romance is not my fave, but these three still really worked for me, I think largely because there was also a lot of other stuff going on? All three had for me what was a really good balance between the romance plot and the sf (for Ocean's Echo and The Red Scholar's Wake) or fantasy (for A Restless Truth) plots, not just in terms of page time, but in terms of how all the different elements worked together, and as a result the romances worked for me when they otherwise might not have. I highly recommend all three.

The Scapegracers
Really excellent YA novel about four teenage witches figuring themselves out. It does a great job at capturing the intensity of teenagerhood, when everything is so important and so fragile and so much. I also really liked that it managed to have some good adults, who might not quite get the teen characters' concerns or priorities, but are at least trying - I know terrible adults are a YA/children's literature trope for very good reasons, but it's also nice to see something that bucks the trend every now and then.

(I have since also read the sequel, which is a) even better and b) even queerer than this, excellent stuff.)

Empress of Forever
Wow I loved this. Big, sprawling sf novel that's ultimately about how caring about other people is the most important thing you can do. Fantastic.
usuallyhats: Janeway sitting at a table, smiling (janeway)
Kaikeyi - Vaishnavi Patel
Be the Serpent - Seanan McGuire
Secrets of the Stormforest - LD Lapinski
Because Internet - Gretchen McCulloch
The Leper of Saint Giles - Ellis Peters
Notorious Sorcerer - Davinia Evans
The Obsidian Tower - Melissa Caruso
Eyes of the Void - Adian Tchaikovsky
The Return of Fitzroy Angursell - Victoria Goddard
The Queen of the High Fields - Rhiannon A Grist
Africa Is Not A Country: Breaking Stereotypes of Modern Africa - Dipo Faloyin
Her Majesty's Royal Coven - Juno Dawson

Notorious Sorcerer (four stars)Notorious Sorcerer
This was incredibly fun! Disaster bi sorcerer just trying to earn enough money to buy himself some more magic lessons accidentally ends up caught up in the fate of the city, shenanigans ensue. Lots of good stuff about power, class and opportunity - all of the four main point of view characters are in some way trying to figure out what they want from their lives and how to get that, and the book is very clear on how all their choices are constrained by the circumstances they're in, but also on how big a role class and money play. I loved it.

Didn't finish:
The Sunbearer Trials - Aiden Thomas, Nophek Gloss - Essa HansenThe Sunbearer Trials - Aiden Thomas
This was an enjoyable YA novel, but I'm just not really feeling YA at the moment, unfortunately. It had some great things, mostly the casual diversity and the intriguing setting, but overall it felt weirdly low stakes despite the threat of death hanging over our heroes - I think for me the characterisation and worldbuilding weren't quite there to make the premise feel as high stakes as it should have. I did really love Thomas's previous book, though, so this was probably just a mismatch between what I wanted from the book and what it was trying to do.

Nophek Gloss - Essa Hansen
I don't know if I just wasn't in the mood for this, or if I was put off by the really brutal thing that happens very early on, or if it was because I was reading it in a sweltering tube and feeling a bit sick, but I really bounced off this. It was a bit grimmer than I usually prefer, which on its own might have been fine, but I was also struggling with the slightly overcomplicated prose style (goodness knows I love writing that isn't just functional, but not when parsing it out is getting in the way of what it's trying to say). It also really felt a couple of times like the adults in the book were rushing the fourteen year old protagonist into making massive, life changing decisions, and I just really did not enjoy reading that.

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usuallyhats: The cast of Critical Role sitting round a table playing Dungeons and Dragons (Default)
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