usuallyhats: The cast of Critical Role sitting round a table playing Dungeons and Dragons (alicia books)
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The Dream Thieves - Maggie Stiefvater
Uncanny X-Force: Let It Bleed
A Tangle of Magicks - Stephanie Burgis
*Adaptation - Malinda Lo
*The Shadowed Sun - NK Jemisin
*The Long Earth - Terry Pratchett and Stephen Baxter
*Ironskin - Tina Connolly
*Voices from the Past ed. Scott Harrison and Lee Harris
Red Sonja: Queen of Plagues
Runaways: Rock Zombies
Discount Armageddon - Seanan McGuire
*Riddle of the Labyrinth: The Quest to Crack and Ancient Code and the Uncovering of a Lost Civilisation - Margalit Fox
Midnight Blue-Light Special - Seanan McGuire
Doctor Who: Secrets of the TARDIS
Rosemary and Rue - Seanan McGuire
*Stuff Matters: The Strange Story of the Marvellous Materials That Shape Our Man-Made World - Mark Midiownik
*Doctor Who: To The Slaughter - Steven Cole
*The School for Good and Evil - Soman Chainani
White Tiger: A Hero's Compulsion
Reaper Man - Terry Pratchett

Adaptation
Really good YA sci-fi conspiracy thriller, with queer characters! \o/ Hooked me right from the start.

The Shadowed Sun
I'm usually a big fan of NK Jemisin's writing, but this book didn't work for me as well as they usually do. My main issue was that I violently disliked the male lead, and therefore the central romance, which meant I couldn't get absorbed by the book as I usually do with Jemisin's work. There was still a lot of good stuff in it (though I was also somewhat disappointed that the binary gender roles in the book's societies weren't challenged more), and overall I definitely still consider myself a Jemisin fan, but this one I can't really recommend.

The Long Earth
I'd heard rather mixed reviews of this one, which I think helped me like it, because I wasn't expecting it to be mindblowing. And yes, it's rambly, there's not much in the way of plot, the pace is... sedate, the characters don't really make an impact... but I enjoyed it nevertheless. Possibly this is because I read a lot of it on a Sunday evening coach home from London, and was in the mood for something kind of slow but very readable and rather genial? Because that's what it was. The central concept, in which the pattern for a device that allows people to "step" sideways into an effectively infinite series of mostly-uninhabited parallel Earths, is great, and it's unfolded very nicely (even if it definitely works in a fantasy way rather than a sci-fi one). And there was the odd Good-Omensy bit, especially re the eccentric nuns. :D (I think it was also typeset in the same font as the Discworld books, which always adds to my enjoyment through good associations.)

Ironskin
Steampunk retelling of Jane Eyre, which I felt suffered slightly from being a retelling: I could hear the story creaking from time to time in the effort to remain in the Jane Eyre mould. Plus, Jane Eliot was not as vividly drawn as Jane Eyre, whilst Rochart was too close to being Rochester to make a likeable romantic hero. That being said, there was a lot of good stuff too. The setup was great: it's set more or less in a version of 20s England (the writing slipped towards present day US a few times, but not too badly) where the Great War was a guerilla war fought against the fey, and where as a side-effect of the humans' victory, their fey-made technology is starting to fail. Our heroine is an ironskin: a war survivor who wears iron to cover up her battlescars, and also to stop her emotional curse (Jane's, of course, is anger) leaking out and affecting the people around her. I'm not entirely certain how I feel about its handling of disability - it hewed a little close to the "magical disability" trope at times - but again, there was some good stuff re the pernicious effects of having to hide your disability and of being forced to conform to an ableist world.

Voices from the Past
I liked the stories by Paul Cornell, Juliet McKenna and Mary Robinette Kowal in this anthology, but the others, not so much. There was a bit too much "I know, I'll give this story a nasty little twist at the end, that will be fresh and interesting" for me. Also... not all the authors whose names are on the cover actually appeared in the anthology, which was disappointing.

Riddle of the Labyrinth
Fascinating account of the quest to decipher Linear B, with a particular focus on three of the main figures involved. Fox explains very clearly the challenges and techniques involved in deciphering an unknown language written in an unknown script and the whole thing plays out like a very well written detective story: it's incredibly satisfying seeing the pieces finally start to slot into place. Towards the end of the book, Fox describes the transcription of a phrase meaning "larger-sized goblet with three handles" as "exciting", and by that point I wholeheartedly agreed. :D Her quietly passionate championing of Alice Kober, whose intelligence and perseverance built the foundations on which the eventual deciphering rested, and who would most likely have deciphered it herself if she'd had more time, was also very moving.

Stuff Matters
Entertaining look at ten different materials and how they've been moulded by our needs and desires. Rather slight - I couldn't help comparing it to Bee Wilson's Consider the Fork, which had room to get further into how food technology shapes and is shaped by culture - but still a fun read.

Doctor Who: To The Slaughter
This book was mostly fairly average - it had a great opening, in which our heroes accidentally cause chaos in their quest for mercury, but it was also a lot gorier than I enjoy - but it did have some nice Team TARDIS stuff, which lifted it a little. Hugging! Caring about each other! The Doctor kissing Fitz's hand aaaahhhhhh! ♥

The School for Good and Evil
I struggled to rate this book. On the one hand, I thought it needed a bit of an edit, to improve the writing (the first chapter was particularly clunky, though it did get better after that), the characterisation and the worldbuilding. On the other hand, there were some excellent moments of heroism and friendship between Sophie and Agatha, and I liked that it tried to challenge ideas of what good and evil mean, and what their signifiers are, even if it didn't go far enough for my taste. I also liked that it at least attempted to disrupt gender- and heteronormativity, though again, not as much as I would have liked. Hmm. Overall... 2.5 stars? Had potential, could've been better, I wish it had been.

I am also aflail with love for Seanan McGuire's stuff, but not really in a way where I wanted to say things about the individual books? READ THEM, THEY'RE GREAT.

Date: 11 Mar 2014 11:04 (UTC)
ext_3965: (Books - Too Many Books I Need To Read)
From: [identity profile] persiflage-1.livejournal.com
Maybe we should start a club? Because I know my library card no & pin by heart too - and I'm RUBBISH at remembering numbers! *giggles*

Date: 11 Mar 2014 11:20 (UTC)
ext_3965: (I Prefer Reading)
From: [identity profile] persiflage-1.livejournal.com
Well I don't - my browser remembers it for me - but that hasn't stopped me learning it by heart!

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